Cell Project Space

Saron Hughes turns to painting as her subject for sculpture, transforming 2 dimensional reality into 3 dimensional unreality. The estrangement effect this produces is an odd one, since the switch from image to object actually produces a sense of flattening or leveling out. A representational illusion disappears to emerge into modernist composition. There is a careful and considered manipulation of the monstrousness of the sudden shift in scale and dimension.